Within these virtual halls, I introduce a once-forbidden presence: women moving freely and without shame. Unclothed and unfettered, their forms drift through the air like constellations of desire, responding playfully to the contours of the architecture. Yet they are not static ghosts—they can be guided, embraced, or led in dance by visitors or performance artists, whose gestures reshape the very walls and light around them. This interactivity becomes an act of solidarity, a living homage to “Woman, Life, Freedom” that visualizes long-suppressed dreams and bodily autonomy. Each step, each touch, becomes a prayer of resistance, as visibility, agency, and defiance converge beneath arches that are at once sacred and political.
